Party like its 1999 with Seven Lions’ new remix of ‘Rush Over Me’
January 22, 2021
January 22, 2021
Producer Seven Lions has never had a problem breaking rules and transcending musical boundaries to satisfy his creative vision. Catching his break after winning a Beatport remix contest in 2012 with his dubstep-focused version of Above & Beyond’s “You Got to Go”, Seven Lions, born Jeff Montalvo, garnered early support from the likes of Skrillex and his OWSLA label. 2013 tour dates with Porter Robinson and Krewella pushed Montalvo and his genre-bending production style to the forefront of the modern electronic music scene.
Putting sheer technical production prowess to work in soulful, deep, hybridized creations all distinctly his own, the multi-talented musician is single-handedly changing the sonic landscape for future generations to come by bridging the gap between the soaring, ethereal vibe of trance and intensely adrenalizing bass music. His productions have seen stages at world-renowned festivals such as Ultra Music Festival, Electric Daisy Carnival (New York and Las Vegas), Electric Forrest, Electric Zoo, South by Southwest, and HARD.
After several successful releases under the OWSLA label (his debut EP, Days to Come, reached #2 on the iTunes Dance charts), Montalvo released his highly anticipated 2014 follow-up EP, Worlds Apart, on Republic Records’ dance imprint Casablanca. Containing several notable features which include Ellie Goulding and Tove Lo, Worlds Apart debuted at #1 on the iTunes Dance charts, and the title track was also featured in Billboard’s “Top 10 Electronic/Dance Songs of 2014” list. The EP also featured the smash hit and canonical dance track ‘Strangers’, featuring superstar vocalist Tove Lo. ‘Strangers’ was a definitive track in what was perhaps the peak of American electronic dance music, and solidified Seven Lions as one of the scene’s premier artists.
In 2015, Seven Lions began releasing music in EP formats, devoting each EP to a cohesive idea and world found within the Seven Lions universe. 2015’s “The Throes of Winter” hints at a larger seasonal theme, to be continued through to his future releases. When asked about the spark for this vision, he explains, “Since artists aren’t releasing proper albums anymore, it makes sense to create something that’s digitally artistic with real cohesion as opposed to tossing out singles and just haphazardly seeing what sticks… I wanted to start making the music more thematic, interesting, and part of something larger.”
Bucking more trends and breaking from convention, his 2016 Creation EP [Casablanca Records] followed a different path for his latest body of work. “This time, songwriting really took place on guitar,” he explains. “There are more acoustic elements in the songs, and that ties it together. I wanted to get a little more experimental. I didn’t worry if something was going to be a big banger on the dancefloor or not. I just made what felt right at the time.” Ultimately, Seven Lions continues challenging himself and musical genres. “I want to do something different,” he concludes. “Everything doesn’t have to fit into just one genre. I want people to walk away loving different kinds of music and sounds.”
This year saw Seven Lions once more travel across the country on his There and Back Again club-focused tour, in addition to hallmark festival appearances at Tomorrowland, EDC Las Vegas, Life in Color, EDC Japan, Middlelands, Electric Zoo, and Paradiso, amongst others. This summer the sound-sculptor unveiled his highly-anticipated Where I Wont Be Found EP as well, continuing his always growing world, identified via these annual EP projects. The eight-track offering is a wondrous journey from start to. From the heavily streamed and critically praised “Freesol,” to the energetic future bass collaboration “Rescue Me” with scene upstart Unlike Pluto, Where I Wont Be Found reminds fans of what made Seven Lions who he is today – a singular talent in electronic music, and a producer who has always forged his own lane.
In support of the EP and the year as a whole, Seven Lions will wrap up 2017 with a 20 date North American headlining tour with Tritonal (and Kill The Noise as support). Playing some of America’s largest theatres, the Horizon Tour hits LA (2 nights at the iconic Palladium), NYC (Brooklyn’s Hangar), Boston, Philadelphia, San Francisco (Bill Graham), Toronto, and many other key locales.
Jeff started 2018 in a new direction – his very own record label. Called Ophelia Records, the imprint has already seen a handful of strong releases: ‘Calling You Home’, ‘Ocean’, and ‘Horizon’. ‘Ocean’ in particular has already cemented itself as a quintessential Seven Lions track, racking up over 1.7 million Spotify streams in just a few weeks. He has also expanded on his touring business, unveiling the ‘Chronicles’ concept – an event series that takes the Seven Lions experience and kicks it up a notch. It’s an immersive experience – filled with art installations, local vendors, unique characters, and secrets, pulled straight out of the world of Seven Lions. The first Chronicles event was at Seattle’s WaMu Theater, in front of a sold out crowd of 8500.