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Tue, Aug 18, 2026

Zeds Dead Day 1 vs. Day 2: One Song From Every Artist to Help You Pick Your Lineup

TUE, AUG 18, 2026

There are some festival decisions where you stare at a lineup and immediately know where you are going. Then there are lineups like this one, where someone clearly decided that Arizona bass fans did not deserve an easy choice. Zeds Dead is bringing their Journey of a Lifetime tour to Mesa Amphitheatre for two nights, with IMANU joining them Friday, September 18, and Ivy Lab taking over Saturday, September 19. Two nights, two completely different flavors of bass, and one very important question: which one are you going to?

Before you pick, though, you need to understand what Zeds Dead can actually do with a crowd.

If you have never seen them live, do yourself a favor and start streaming their most recent North Coast Set for their 15 year Anniversary.  It is a great example of the Zeds Dead experience because it takes you through almost everything that makes the duo so special. The set can feel beautiful and atmospheric one moment before completely flipping into something heavy enough to rattle your rib cage. It is melodic, emotional, weird, nostalgic, and absolutely massive. You can hear the duo constantly playing with tension, letting a song breathe before suddenly throwing the floor into chaos. Then, if you want to hear the other side of that spectrum, go straight to 2024 Lost Lands Set. This is the Zeds Dead set for the person who wants to be punched in the face by bass, respectfully, of course. The energy is heavier, the drops are nastier, and the production feels built for thousands of people losing their minds at the same time. You should also spend some time with any of their Deadrocks Sets, either night of their annual Red Rocks run. Deadrocks is where you start to understand the relationship between Zeds Dead and their longtime fans. These sets are where the duo can dig deeper into their catalog, pull out unexpected cuts, play edits, bring in collaborations, and create moments that feel made specifically for the people who have been following them for years. Deadrocks shows you the soul of Deadbeats.

Onto the different support acts. For Friday with IMANU, start with “Nonplus.” The track immediately tells you what kind of night this could become. IMANU has this incredible ability to make every layer feel intentional without making the production feel overly complicated. The percussion snaps into place, the bass constantly shifts underneath you, and the track seems to keep changing shape without ever losing its groove. There is something futuristic about his sound, but there is also something incredibly physical about it when you hear it loud. His sound makes for a fascinating pairing with Zeds Dead. Friday feels like the night for the person who wants to listen closely. You want strange sounds tucked underneath the drums. You want transitions that catch you off guard. You want a bass that does not always behave the way you expect it to. If that sounds like your kind of night, Friday might already have your name on it.

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But then there is Saturday with Ivy Lab, and there is something much bigger to consider here than simply which sound you prefer. This is your opportunity to see Ivy Lab before the project comes to an end. In January, Ivy Lab announced that 2026 would be their final year as a project after more than a decade of creating their strange, beautiful, leftfield world of bass music. Jay Fogel and Gove Kidao said they had decided to close the chapter and look toward new adventures in sound, while promising final releases and a run of final Ivy Lab shows throughout the year. Their Twenty Twenty London label will continue, and both artists have solo music ahead, but Ivy Lab itself is entering its final chapter. That makes September 19 feel a little different. If you have followed Ivy Lab for years, this is not simply another support slot on a Zeds Dead tour. It is a chance to stand in a room and watch a project that helped shape an entire corner of bass music take one of its final bows. And if you need one song to understand why that matters, press play on “Cake” and let it play without trying to categorize it. Ivy Lab has always been fantastic at creating music that sits somewhere between hip hop, halftime, experimental bass, and something that feels completely their own. The song has this hypnotic groove that makes you move almost before you realize the song has grabbed you. The drums feel loose and playful, while the bass sits underneath everything with just enough weight to make the track feel large. Saturday is for the people who like their bass music to feel and sound more strange. It is the kind of music that makes you look at the person next to you with a giant smile because neither of you can quite explain what just happened.

So, here is your unofficial cheat sheet. If you want futuristic production, restless drums, intricate sound design, and a night that constantly keeps you guessing, night one with IMANU is your vibe. If you want hypnotic grooves, experimental bass, weird rhythms, and a slightly more unpredictable journey, night two with Ivy Lab is calling you babe. But if you have the option to go both nights, there is really no reason to torture yourself with the decision. Because that is what makes this run so exciting. Zeds Dead are the constant, but everything around them changes. Check out the vibes of the support acts, and if you are still trying to choose after that, I have some bad news…you probably need both tickets.

Written by

I found EDM in my early years as a high schooler, with artists like Avicii, Afrojack, Tiësto, Martin Garrix, Krewella, and so many others filling my playlists. In 2017, Voodoo Music Festival became my first festival and live music experience, and honestly, I have not stopped since. Since then, I’ve made my way through 20+ music festivals and at least 43 shows that I’ve actually remembered to count, but the numbers have never been the best part. It’s the people I’ve met, the memories made, the unexpected moments, and that feeling of being surrounded by thousands of people who all came to feel something together. I write because I genuinely love this community and the music that brings us together. My hope with every article, review, and story is to capture even a little bit of that feeling and share it with you. I want you to feel the excitement I feel standing in that crowd, hear the details that made a song stick in my heart, and understand just how much I appreciate the artists, fans, and experiences that make this community so special. There is so much magic in this world of music, and I’m just happy I get to be here for it, listen to it, and put some of that love into words.

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