Enter The Portal of Beats: A Guide to The Music of Decadence AZ
December 12, 2025
December 12, 2025
System Overload 2026
Decadence Arizona 2025 | The Portal of I11usions
John Summit | Bird's Nest 2026
Levity
Odd Mob | Phoenix Warehouse Project 2 Year Anniversary
Wooli
SHAQ's Bass All-Stars Phoenix
Grabbitz
Obsidian 2025
Chris Lorenzo
RB Writer Picks: Top Tracks of 2025
Enter The Portal of Beats: A Guide to The Music of Decadence AZ
The EDM Subgenres of 2025 Making Marks On Playlists
RB Exclusive Interview: Braydon Terzo Headlines Darkstar
Knock2 Scheduled to Launch Decadence Night One Into the Stratosphere
Capozzi
ISOxo
Bella Renee
YetepAfter living in Melbourne, Australia for four months, I easily compared and contrasted the electronic music scene to ours in America. Australia’s culture is easily compared to America’s, but there are countless minor differences I noticed. In terms of the edm culture, which genres are preferred, where artists perform, and their festival scene all differed to those in the U.S.

Heavy bass is what I desire, so I favor dubstep and trap over other genres. When searching for clubs and events to go to, my friends and I would end up finding a lot of places that played what sounded like hits of 2003. Other than that, genres usually consisted of trance and other low-temp styles.
Of course, my fellow bass-seeking homegirl and I would seek out our favorite artists that landed in Melbourne for shows. We met at Datsik then checked in to see Borgore, Jauz, Mija, UZ, and Brillz together on different occasions. These artists weren’t bringing more than a couple hundred people at most!

To my surprise, many of the artists I caught performed strictly at night clubs. In America, these artists would have sold out larger scale venues. Both Borgore and Brillz set a record low for number of attendees that I have ever seen. During Brillz, there couldn’t have been more than 50 people, and that’s being generous. So with that being said, most of the electronic events I experienced were very underground.
The low attendance wasn’t because these artists are not talented performers, it was more so in result of interest in genres or exposure to their music. You do not come across many bass lovers down under. Bass music may be on the rise, but it has not been tapped for its full potential in Australia. This differs from American electronic music culture considering the rise in popularity of heavy music.

Also on the rise in America are the multiple day and night music festivals which are based off of electronic music; Electric Daisy Carnival, Electric Forest, and Nocturnal Wonderland just to name a few. In Australia, many festivals have been shut down or postponed. Big Day Out, one of their massive events, has been cancelled with no plans to return. Also, the Harvest Festival, Pyramid Rock, Peats Ridge Festival, and Sydney’s Playground Weekender have also came to an end.

Whether Australia’s festival scene will rise again is still questionable. Since festivals are becoming more of a fad in America, maybe they will in AUS as well. I had an all-around positive experience partying down under, but I hope I’ll be able to experience a festival next time around.

Fame, Fortune, and Faders: 15 Surprising Celebrity EDM DJs
Through the Portal and Into the Beat with Whethan at Decadence Arizona
Big Gigantic, Born I, & GorillaT Collaborate on Hopeful Self-Love Anthem, 'Somewhere Up There'
Rising Tech-House Star SKILAH Drops New Single, 'Molotov,' Featuring RYUMA