Legendary Acts Eli Brown, Danny Avila, & SACHA Drop Multi-Genre Collaboration, ‘Gotta Go’
December 15, 2025
December 15, 2025
John Summit | Bird's Nest 2026
Decadence Arizona 2025 | The Portal of I11usions
System Overload 2026
Mitis
Levity
Wooli
SHAQ's Bass All-Stars Phoenix
DUSK Music Festival 2025
Obsidian 2025
Beltran
The EDM Subgenres of 2025 Making Marks On Playlists
RB Writer Picks: Top Tracks of 2025
Enter The Portal of Beats: A Guide to The Music of Decadence AZ
Legendary Acts Eli Brown, Danny Avila, & SACHA Drop Multi-Genre Collaboration, 'Gotta Go'
Fisher Is Bringing the Chaos to Decadence Arizona This Year
Capozzi
ISOxo
Bella Renee
YetepAt some show once I heard the trippiest experimental bass and it snatched a part of my soul. I assumed it was a Bassnectar or Rezz track that I had either never heard of or hadn’t been released. Recently there has been a lot of discussion about a DJ by the name of 1788-L and how their music is hypnotizing and mind-boggling. Then, it all clicked in a clip of a Seven Lions show; it was that entrancing song I had once heard belonged to none other than this mysterious 1788-L.
Immediately I listened to all of their tracks on Soundcloud (there are only five posted). In addition to the track I had originally heard titled “Pulsar/Beam,” there’s Daft Punk and Virtual Self remixes. Those that compared 1788-L and Rezz are on the right track; this producer has a uniquely arresting sound that is not quite as glitchy as Bleep Bloop but is slightly more experimental in sound than Rezz.
As for the producer(s) themselves, they’re as vague as their name. No information on the human(s) is to be found online, but maybe when more people realize the power that the heart-pounding bass has on the soul and mind, 1788-L will reveal a little bit of the mystery.
Connect with 1788-L: Facebook | Twitter | SoundCloud