Your Weekly Vibe Check: Let’s Dive into Memorial Day Weekend!
May 20, 2024
May 20, 2024
Crankdat
Breakaway Arizona 2026
DJ Snake
Goldrush: Midnight Riders 2026
Green Velvet presents LALALAND | Oasis Pool Party
Effin
Obsidian 2025
DUSK Music Festival 2025
Body Language Fall 2025
Snakehips
Nostalgix Drops Incredible Debut Album, 'Inferno,' Ahead of Sunbar Tour Date
Marco Strous Releases Highly Anticipated Single ‘Professor X’ Featuring Rusko
GRiZ Unveils 'All I Need,' a Golden Hour Groove That Feels Like Summer
Dubstep Dive: Foundation Audio’s Newest Compilation Is Here
GUDFELLA Brews Up a Hit with 'Morning Coffee'
Capozzi
ISOxo
Bella Renee
YetepWuki, born Kris Barman, recently played twice at Phoenix Lights, first at the afterparty, then on Day 2. He blew me away with both sets. Not only were they high-energy and bass-filled, full of Wuki originals (“We Like to Fuck that Shit” is my go-to get wild song now) but they also introduced me to Wuki’s genre-destroying style. Is it trap? Bass house? Dubstep? Is there some hardstyle in there? I can’t really say. He doesn’t let you label his sound, which is something that can be toxic and restraining on an artist’s talent. After Phoenix Lights, I was still thirsty for some more Wuki. Lucky for me and you, Wuki recently dropped a new banger, “Chop It”
“Chop It” begins with the seductive voice of Bri Berlay and goes right into the buildup. The lyrics “When I see champagne it’s rose,” hijack the drop and then goes into a hardstyle-esque fast beat. The way Wuki chops the melody into the beat is really entrancing and fun. That’s another trait I admire about Wuki’s music – it’s fast and fun and puts a smile on your face. Wuki’s sets were the ones I had the most fun dancing to with my friends, and I look forward to more sets (and new singles) in the near future.
Connect with Wuki: Facebook | Twitter | Soundcloud